ビデオでの演奏曲目 ; 1. JAMAICA(N) SKA / Byron Lee And The Dragonaires
2. LAST NIGHT (SKA) / Byron Lee And The Dragonaires
3. SAMMY DEAD(-O) / Eric “Monty” Morris
4. ONE EYED JACK(S) / Jimmy Cliff
5. WASH WASH / Prince Buster
6. TREAT ME BAD / The Maytals
7. SHE WILL NEVER LET ME DOWN / The Maytals
8. SO MARIE / The Charmers
9. ROUGH AND TOUGH / Stranger Cole
10. TWO ROADS BEFORE ME / Roy Panton And Yvonne Harrison
11. I DON’T KNOW / The Blues Busters
12. SAMMY DEAD-O / Byron Lee And The Dragonaires
13. KING OF KINGS / Jimmy Cliff
“New York is the thing that seduced me.
New York is the thing that formed me.
New York is the thing that deformed me.
New York is the thing that perverted me.
New York is the thing that converted me.
And New York is the thing that I love too.”
(from an interview on the BBC in 1971)
Only came outside to watch night fall with the rain
I heard you making patterns rhyme like
Some new romantic looking for the TV sound
I'll see you're right some other time love Duran Duran - Planet Earth
A Fine Romance
documentary chronicling the rise and fall of the New Romantic movement of the early 1980s.(duration ; 50min)
Top Ten 80s New Romantics
documentary reminiscencing about top 10 influential artists of the New Romantic movement of the 1980s. (duration ; 75min)
"...In my generation we tore the wall down and now we are back to the normal situation,
for example if Brian Eno or David Bowie come to me,
and if popular musicians remix my music like The Orb or DJ Spooky it is a good thing.
This is a natural normal regular historical way. " — From an Interview with Jakob Buhre
It was the culminating event in Composium 2008, a several day affair at Tokyo Opera City featuring works by Reich, including the Japanese premiere of Daniel Variations and
a performance of Music for 18 Musicians with the composer as guest artist.
live at Takemitsu Memorial in Tokyo Opera City Concert Hall
(20080521)
"Daniel Variations"
"Music for 18 Musicians"
live recording at NHK 101 Studio
(20080225)
"Different Trains"
I read that you took a stand
And refused to kill in Vietnam.
You said no man was your enemy
What he's fighting for is to be free.
Ghetto streets lead nowhere
Ghetto cries fill the air.
Uncle Sam's in Nam to loot and rob
And people starve at home cause there's no jobs.
Oh ain't it hard
To smile sometimes?
I know it's hard
To smile sometimes.
Soldier, we love you
Yeah, soldier we love you
Standing strong
'Cause it's hard to do
What you know you must do
Cause it's true
Yes, it's true.
They locked you up in their stockades
Yeah, they locked you up 'cause they're afraid
That you would rap and spread the word
But you can't jail truth, it will be heard.
Oh, ain't it hard
To smile sometimes?
I know it's hard
To smile sometimes.
Soldier, we love you
Yeah, soldier we love you
Standing strong
Yes, it's hard to do
What you know you must do
Cause it's true
Yes, it's true.
In 1964, Humberto Branco had taken over the government in a military coup, recessed the Congress, and started cracking down on leftists and political rivals.
At the same time, hordes of idealistic youth like Gilberto Gil poured into the capital, bringing fresh ideas and creative new directions in music, film, and art - and challenging the military dictatorship.
With Caetano Veloso, Gil was one of the founders of Tropicalia, a musical movement born in 1967, which was influenced by poesia concreta, a genre of Brazilian avant garde poetry,and fused bossa nova with Brazilian folk music, rock, and political and social messages.
At the same time, the Tropicalia art movement was exploring new directions in graphics and architecture, while Cinema Novo (New Cinema) directors were exposing the country's vast poverty.
The new generation of Brazilian artists absorbed everything from campus protests in Berkeley and Black Panther rhetoric to the French New Wave and Norman Mailer as they formulated their own contributions to the late-60s creative explosion.
Mel Cheren (January 21,1933 - December 7, 2007) was a New York gay entrepreneur and owner of West End Records. West End Records was co-founded by Mel Cheren in New York City in 1976 and predominantly published disco music. Mel was romantically involved with Michael Brody, the owner of the famous Paradise Garage club, for which Mel also provided financial backing. West End Records was closely associated with the Paradise Garage and Larry Levan.
Mel offered GMHC a couple of rooms for offices in a rooming house in Chelsea owned by him. He died of complications of AIDS on December 7, 2007.
A memorial is planned for January 21, 2008, the date of his birthday.
Gwen Guthrie Live at the Paradise Garage Closing Party
In 2003, Cheren penned the autobiography My Life and the Paradise Garage, a heartfelt first-hand look at the destruction of the music culture from the AIDS epidemic, which, sadly, is the very thing that ended his own life.
Pioneer. Activist. Survivor. The Godfather of Disco is a documentary based on Mel Cheren's autobiography, My Life and the Paradise Garage: Keep on Dancin'. Through a series of interviews with a whos who of the dance music community, Mel's extraordinary story is recounted.
反戦脱走米兵援助
ベ平連はアメリカ軍の良心的脱走兵の支援も行い、これらの活動はベ平連とは別にJATEC（Japan Technical Committee to Aid Anti War GIs―反戦脱走米兵援助日本技術委員会）として運営され、ソビエト連邦などの支援を受け、ソ連極東部のウラジオストックへの定期便やレポ船などを使い、少数の脱走兵をスウェーデンなどの軍事中立国に脱出させる事に成功した。
尚、スウェーデンに渡った元反戦米脱走兵のテリー・ホイットモアが、7月11日、アメリカ、メンフィス（彼の故郷）の復員軍人医療センター（Veterans Medical Center）で死去し、7月21日、ジオン寺院（Zion TempleCOGIC）で葬儀が行なわれていた。墓地は New Park Cemetry on Horn Lake Rd.。
小田の死に先立つ突然の訃報であった。
The image of students in Tokyo getting high on imported birdseed doesn't jump to the fore.
"The simplest way for people to get marijuana was in pet stores," recalls Koji Takazawa ( 高沢皓司 ), a leader of Zenkyoto, an alliance of Japanese student movements in the 60s. "There were hemp seeds in the birdseed, so people bought the birdseed and grew their own marijuana."
Japanese Psychedelic Hippie ( フーテン族 ) in Shinjuku 1967
In the West, little is known about Japanese youth movements of the 1960s, but the Zenkyoto, Zengakuren, and other movements were hugely popular in Japan, protesting Japanese involvement in the Vietnam War, spurring interest in Western music and art, and calling a generation to action, as parallel movement did around the world.The student movement began to mobilize in 1960, when the Japan-US Joint Security Treaty was signed and thousands of University students took to the streets in protest.
Protest against the Japan-US Security Treaty in 1960
In the following years, protests grew louder and angrier, as the military campaigns escalated. "1967 was the year the student campaign really escalated," says Takazawa. "A student was killed in a conflict with riot police and as a result, there was a huge outcry and a big wave of protest." From 1967 to 1970, students at 167 Japanese universities went on strike as part of the Zenkyoto movement.
Protest against PM Eisaku Sato at Haneda Airport in 1967
"Some years later, nearly all the popular musicians in Japan had come out of that cultural stream," says Takazawa, who says members of the 60s youth movements used the Japanese cartooning tradition, Manga, in their posters and art, transforming it into the cultural force it has become.
Amidst the dreariness of north England, white working class youth reinvented their lives at Northern Soul all-nighters, dancing to forgotten black American soul singles from the 1960s. Down South, as Mods metamorphosed into skinheads, this cult focused more on Caribbean sounds - ska, rocksteady and reggae. They jerked to these itchy Jamaican rhythms in youth clubs from Catford to Croydon, Dagenham to Deptford.
IN THE CLUB (Wigan Casino)
Shane Meadows' This Is England - news item about the 18 cert
The Rivers of Blood speech was a controversial speech about immigration made on April 20, 1968 by the British politician Enoch Powell.
Powell warned his audience of what he believed would be the consequences of continued immigration to Britain from Commonwealth countries. His speech included the following words, referring to the Race Relations Bill then coming before parliament:
"Here is the means of showing that the immigrant communities can organise to consolidate their members, to agitate and campaign against their fellow citizens, and to overawe and dominate the rest with the legal weapons which the ignorant and the ill-informed have provided. As I look ahead, I am filled with foreboding. Like the Roman, I seem to see 'the River Tiber foaming with much blood.'"
in 1970 ska and reggae singer Millie sang "Enoch Power" against Powell. The song began with the German national anthem.
from Telegraph article
Critics have described his portrayal of troubled singer Ian Curtis, who committed suicide on the eve of the band's first American tour, as "spectacular" and "outstanding".
Yesterday it received a standing ovation at its premiere on the Croisette. Even surviving members of the group were impressed.
Peter Hook, the bass player with Joy Division and New Order which evolved from it, said: "He really caught the essence of Ian's character. It was like hearing Ian. It sent shivers down my spine."
Their biggest hit was Love Will Tear Us Apart. His illness and tangled love life as well as the increasing responsibilities of the band led to him being unable to cope with the world. He hanged himself in his home exactly 27 years ago today(17th May 1980), aged 23.
from Billboard article
Shot in stark black-and-white and set in gritty, unglamorous 1970s England,
it re-creates the life of a singer who died unhappy and almost unknown
but has secured a place in rock mythology.
The part came out of the blue for Riley, 27, who abandoned an acting career
to take an unsuccessful shot at fame with his band 10,000 Things.
When Riley heard about auditions for the film,
"I was working in a warehouse in Leeds, folding shirts."
Netherlands-born Corbijn, who turns 52 on Sunday,
photographed Joy Division for British music magazines
and went on to design album covers for Depeche Mode and U2.
When he moved to Britain in 1979, Corbijn said he was shocked by
the country's austerity and poverty. "A lot of bands I met, including Joy Division,
were kind of underdressed -- a thin coat on, smoking and shivering in the cold," he said.
"When I met Sam, it was also in the winter and he was totally the same."
Pale and big-eyed, Riley resembles Curtis -- but more importantly, said Corbijn,
he "had an innocence and a freshness that I was hoping for but never thought I would find."
"My whole memory of that period is black and white," Corbijn said.
"There is basically no color photography of that band around.
So it felt very proper to the project."
Interview with Anton Corjbin about the movie CONTROL
"...my favourite memory was the first time i saw Television play,
and i saw Tom Verlaine who i thought was,ahhh...,
just about the most beautiful fella i'd ever seen and,ahhh...,
it was a sunday as well,it was easter sunday 1974,
and i ahhh..., i saw Tom Verlaine,and we've been friends ever since."
Patti Smith is featured in upcomin' documentary film called "Black White + Gray" which refers to the symbiotic relationship Sam Wagstaff(influential art curator and collector) shared with
photographer Robert Mapplethorpe in New York
during the heady years of the 1970s and 1980s.
in this film,Patti reciting a short poem of hers
in an interview on the BBC in 1971;
“New York is the thing that seduced me.
New York is the thing that formed me.
New York is the thing that deformed me.
New York is the thing that perverted me.
New York is the thing that converted me.
And New York is the thing that I love too.”
"...first time i saw a dj who was
not just playing records, but creating atmosphere.
and that was a big defference.
and i realized that's what i wanted to do,
not play records,create atmosphere."
"...i was a white boy,from brooklyn italian boy,
and i partied amongst asians,amongst latins,amongst blacks,
and i met people from all over the world,
and it was a cultural experience,you know.
to me,the Loft was a first place i've ever gone to
where music was continuous"
- David Depino comments on
The Loft & David Mancuso
further informative books & Links 'bout Disco-Era:
Dinosaur / Kiss Me Again The Necessaries / More Real Jah Wobble, Holger Czukay, The Edge / Hold On To Your Dreams Arthur Russell / Losing My Taste For the Night Life
Nicki Siano / Move Peter Zummo / Unisons Jerry Harrison: Casual Gods / The Doctors Lie Mimi / Time to Go Home Now Indian Ocean / Treehouse/School Bell pt. 1
Arthur Russell / Wax the Van Gary Lucas / Let's Go Swimming Allen Ginsberg / Voice of the Bard Jill Kroesen / Fay Shism Blues Loose Joints / Tell You (Today)
http://www.cwtv.com/shows/everybody-hates-chris
Inspired by his childhood experiences, comedian Chris Rock narrates the
hilarious, touching story of a teenager growing up as the eldest of
three children in Brooklyn, New York, during the early 1980's. Uprooted
to a new neighborhood and bused into a predominantly white middle
school two hours away by his strict, hard-working parents, Chris (Tyler
James Williams) struggles to find his place while keeping his siblings
in line at home and surmounting the challenges of junior high. This
responsible resilient adolescent brings a distinct, funny spin to his
everyday trials and traumas in UPN's new single-camera comedy EVERYBODY
HATES CHRIS.
http://www.slate.com/id/2126750/
Everybody Hates Chris also visits the previously unmined territory of
black generational nostalgia. Instead of the disco-tinged memories of
That 70s Show, Chris features a 13-year-old boy with Grandmaster Flash
posters on his wall and a fantasy life populated with fly girls and
puffy white sneakers. It also has a bouncy period soundtrack, ranging
from Run-DMC to the Furious Five to the Paul McCartney/Stevie Wonder
collaboration "Ebony and Ivory." I only hope this brave little David of
a sitcom, scheduled against Goliaths like The O.C. (one of the whitest
shows on television) gets a chance to build the audience it needs to
grow.
tracklistings:
E.Neubauten
Exkurs: Natur (1981)
Matthias Schuster: Im Namen Des Volkes (1981)
DAF
Grauzone: Eisbar (1981)
Monoton: Root Of 1 = 1 (1983)
Andreas Dorau: Arriverderci (1982)
Christiana F: Wunderbar (1982)
Die Dominas: Die Wespendomina (1981)
Asmus Tietchens: Unterhaltsmusik (1983)
Monopol
Underground NDW 1980-1983: Neue Deutsche Welle
(New German Wave, often abbreviated NDW) was a style of German music
originally derived from punk rock and New Wave in 1976. The term "Neue
Deutsche Welle" was first coined by journalist Alfred Hilsberg, whose
article about the movement titled "Neue Deutsche Welle - Aus grauer
Städte Mauern" was published in the magazine Sounds in 1979.
